Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers
Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers
Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers
Load image into Gallery viewer, Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers
Load image into Gallery viewer, Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers
Load image into Gallery viewer, Midas HUB4 Pro 96k Monitor System Hub with 4 PoE Ports for Personal Mixers
The Midas HUB4 Pro 96k Monitor System Hub is the ultimate audio solution for your personal mixers. With 4 PoE ports, AES50 In and Through with SRC,...

1,200,000.00

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The Midas HUB4 Pro 96k Monitor System Hub is the ultimate audio solution for your personal mixers. With 4 PoE ports, AES50 In and Through with SRC, and StageConnect compatibility, this hub provides high quality sound and versatile connectivity options. Plus, its 16-channel analog output ensures pristine audio every time. Upgrade your monitoring experience today.

The HUB4 PRO is the essential multi-tool in any stage rack, providing analogue and digital outputs for various applications and offering reliable performance for seamless integration into diverse audio setups.  

The HUB4 PRO allows a more streamlined and customisable monitoring experience, with front panel buttons and 16 balanced analogue outputs for sending 4x2 personal stereo mixes from DP48 to IEM transmitters in the side rack. It also allows collecting audio from 4 of the brand-new Midas DL8 Stage Box, which can be connected and powered from ports 1-4. 

Ensuring reliable connections is key for the transmission of multiple channels in any setting, the HUB4 PRO features Neutrik etherCON* AES50 network ports and remote operation via shielded CAT5e cables. With a versatile and adaptive power supply, the HUB4 PRO can be used globally, and it has a rugged 1U chassis making it extremely durable for travel. 

Product Features
  • Personal monitoring system hub with PoE remote powering for 4 DP48 personal mixers and compatible stage boxes

  • AES50 IN and THRU ports for cascading hubs or stage boxes with 48 bidirectional channels at 48/44.1 kHz, or 2x 24 channels at 96 kHz

  • 16 balanced analogue outputs providing 8 personal stereo mixes for IEM transmitters in a side rack

  • Channel naming and color properties can be distributed from compatible M32 or HD96 consoles

  • 4 Midas DL8 stage boxes can be connected as sub-snakes on stage and powered from ports 1-4

  • Personal mix outputs can be monitored via AES50 upstream to connected consoles

  • Supports remote control forwarding of a DP48 personal master mixer to another DP48

  • Talkback signals from DP48 are summed and sent upstream/ downstream on Ch 48

  • Front panel buttons for sending personal mixes to analogue outputs, as well as for StageConnect and AES50-A upstream

  • StageConnect master output with phantom power for connecting with other StageConnect I/O units

  • StageConnect is sharing 32-channel audio, 24-Bit uncompressed PCM, 44.1/48 kHz, at sub-milisecond latency, over standard XLR or DMX cable (110- Ohm recommended)

  • Shielded CAT5e cable max. 250 ft / 80 m length recommended on all AES50 ports

  • Features Neutrik etherCON AES50 network ports

  • Rugged 1U chassis for durability in portable applications

  • Auto-ranging universal switched-mode power supply

HUB4 PRO can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit/48 kHz audio or 2x 24 channels at 96 kHz. HUB4 PRO also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.

HUB4 PRO features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. There is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.

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