The compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility � andan unheard of level of affordability.
What is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-winning,Midas microphone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitorouts and 2-track RCA I/O, and you have an analogue work of art � the fullyfeatured DM12!
With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.
Dedicated Stereo Inputs
Line channels 9/10 – 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.
Specifications
Mono Inputs
| Mic inputs (MIDAS mic preamp) |
8 |
| Type |
XLR, balanced |
| Mic EIN @ 60 dB gain, 50 O source at insert send |
-131 dBu, unweighted, 20 Hz to 20 kHz |
| Mic EIN @ 60 dB gain, 150 O source at insert send |
-128 dBu, unweighted, 20 Hz to 20 kHz |
| Noise @ 10dB Gain, at insert send |
-97 dBu, unweighted, 20 Hz to 20 kHz |
| Frequency response (-1 dB) at main output |
20 Hz to 20 kHz (-1 dB) |
| Frequency response (-3 dB) at main output |
70 kHz (-3 dB) |
| Mic Gain range |
+10 dB to +60 dB |
| Max. input level |
+11 dBu @ +10 dB gain |
| CMRR @ +60dB gain |
Typically -90 dB |
| Impedance |
2 kO, balanced |
| Distortion (THD+N) at 0 dBu |
0.005% @ 1kHz |
| Phantom power |
Switchable, +48 V |
Line Input
| Type |
¼” TRS, balanced |
| Impedance |
20 kO balanced / unbalanced |
| Line Gain range |
-10 dB to +40 dB |
| Max. input level |
+30 dBu |
Stereo Inputs
| Type |
4 x ¼” TRS connector, balanced |
| Impedance |
20 kO balanced / unbalanced |
| Gain range |
-20 dB to +20 dB |
| Max. input level |
+21 dBu |
Equaliser
| Low |
±15 dB @ 80 Hz, shelving |
| Mid (mono inputs only) |
±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric |
| High |
±15 dB @ 12 kHz, shelving |
Channel Inserts
| Type |
¼” TRS connector, unbalanced |
| Max. input / output level |
+21 dBu |
Aux Sends
| Type |
2 x ¼” TRS connector, balanced |
| Impedance |
240 O balanced, 120 O unbalanced |
| Max. output level |
+21 dBu |
Monitor Out
| Type |
2 x ¼” TRS connector, balanced |
| Impedance |
240 O balanced, 120 O unbalanced |
| Max. output level |
+21 dBu |
Main Out
| Type |
2 x XLR, electronically balanced |
| Impedance |
100 O balanced, 50 O unbalanced |
| Max. output level |
+21 dBu |
Main Out Inserts
| Type |
2 x ¼” TRS connector, unbalanced |
| Max. input / output level |
+21 dBu |
Phones Output
| Type |
¼” TRS connector, unbalanced |
| Impedance |
25 O |
| Max. output level |
+21 dBu |
2-Track Input
| Type |
2 x RCA, unbalanced |
| Impedance |
20 kO |
| Max. input level |
+21 dBu |
Record Out
| Type |
2 x RCA, unbalanced |
| Impedance |
1 kO |
| Max. output level |
+21 dBu |
Main Mix System Noise
| Main mix @ -?, channel fader @ -8 |
-104 dBu, unweighted, 20 Hz to 20 kHz |
| Main mix @ 0 dB, channel fader @ -8 |
-91 dBu, unweighted, 20 Hz to 20 kHz |
| Main mix @ 0 dB, channel fader @ 0 dB |
-84 dBu, unweighted, 20 Hz to 20 kHz |
Power Supply / Voltage (Fuses)
| Switch mode power supply |
100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V) |
| Power consumption |
40 W |
| Mains connection |
Standard IEC receptacle |
Dimensions / Weight
| Dimensions (H x W x D) |
95 x 328 x 370 mm (3.7 x 12.9 x 14.6″) |
| Weight |
3.9 kg (1.8 lbs) |
