PRO SERIES DL452
AES3 Digital 8 Input, 8 Output Card with Sample Rate Conversion
DL452 is a modular 8 channel digital AES3 (AES/EBU) input and output card for MIDAS PRO Series control centres and modular I/O boxes. DL452 features sample rate conversion for both inputs and outputs and can interface to equipment operating at 48 kHz and 96 kHz. Additionally, DL452 features external clock synchronisation for input channels and word length and clock source options (internal 96 kHz, 48 kHz or external sync) for output channels. DL452 features an automatic output mute facility if the audio signal path is muted via the PRO Series control centre.
PRO Series CompatibilityDL452's compatible with the MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres, and the DL351 and DL451 Modular I/O Stage Boxes.
Midas DL16 Stage Box provides 16 of our award-winning microphone preamplifiers with switchable +48 V phantom power; 8 balanced analogue XLR returns at the stage end; an integrated ULTRANET output for connecting to BEHRINGER P16-M personal monitor mixers; plus connectivity for your ADAT-compatible outboard equipment. If your application calls for more inputs, or just want to keep your cable runs short and tidy, putting a DL16 at stage front and another behind the drum riser provides an additional 16 inputs for drum and guitar/bass amp mic’ing. The best part – all it takes is a single CAT5 cable per stage box.
Digital mixing has revolutionized virtually everything in the live-entertainment production workflow. The DL32 is the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world – the I/O packed and highly affordable DL32 digital stage box. The DL32 provides 32 MIDAS PRO Series remote-controllable mic preamps, plus 16 balanced analog XLR returns at the stage end – and all it takes is a single Cat 5e cable (up to 100 m / 328'). While KLARK TEKNIK, the industry-leader in high-end digital audio processing, invented the AES50 SuperMAC technology that made it all possible – our superb scale of production makes the DL32 so very affordable.
Midas M32-IP is a 40-input digital mixing console that is designed for live performance, and live and studio recording. Housed in a high-performance carbon fiber, aluminum and high-impact steel chassis, this console is designed to be both lightweight and durable, making it ideal for professional audio applications such as touring sound, A/V, club installs and more. The mixer features 32 mic inputs with Midas preamplifiers, which are the very same ones used in the industry standard MIDAS XL4 and HERITAGE 3000 consoles. In addition, the console features 25 time-aligned and phase-coherent mix buses and is fitted with 25 motorized 100 mm faders that are rated for 1 million life cycles.
Digital Console for Live and Studio with 40 Input Channels, 16 MIDAS PRO Microphone Preamplifiers and 25 Mix Buses features 17 Midas PRO motorized 100 mm faders that are rated for 1 million life cycles.
- Live performance and studio recording digital console with up to 40 simultaneous input channels
- 16 award-winning MIDAS PRO microphone preamplifiers
- 25 time-aligned and phase-coherent mix buses
- AES50 networking allows up to 96 inputs and 96 outputs
- Open architecture allows for future 96 kHz operation
- 192 kHz ADC and DAC converters for outstanding audio performance
- Industry-leading design by Bentley* Motors Designer
- High-performance aluminium and high-impact steel structure
- Rack mount brackets included for ultimate flexibility
- 40 bit floating point digital signal processing
- 8 DCA and 6 mute groups
- 8 digital signal processing effects engines
- 17 MIDAS PRO motorised 100 mm faders
- Daylight viewable 5” full colour TFT display screen
- 32 x 32 channel USB 2.0 audio interface
- DAW remote control emulations of Mackie Control* and HUI* protocols
- Optional wireless remote control with MIDAS Apps for iPhone* and iPad*
- Auto-ranging universal switch-mode power supply
- 10-Year Warranty Program*
- Designed and engineered in the U.K.
The CAT5E-10M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features Neutrik etherCON NE8MC-1 connector carriers with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with MIDAS PRO and M Series and KLARK TEKNIK products equipped with HyperMAC and copper snake interfaces, the CAT5E-10M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-10M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-10M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit/s and Gigabit networks.
The CAT5E-5M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features Neutrik etherCON NE8MC-1 connector carriers with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with MIDAS PRO and M Series and KLARK TEKNIK products equipped with HyperMAC and copper snake interfaces, the CAT5E-5M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-5M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-5M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit/s and Gigabit networks.
The DL251 is a 5U 19" fixed-configuration rack I/O unit with 48 mic/line level inputs and 16 line level outputs and delivers legendary MIDAS sound quality utilising our time-tested and road-proven technologies. Featuring award-winning MIDAS microphone preamplifiers with 2.5 dB analogue gain steps and three AES50 network ports providing N+1 redundancy, plus an Ethernet control port and a MIDI Interface (In, Out, Thru), the DL251 is the ideal partner to the MIDAS M Series and PRO Series digital consoles, enabling a digital snake connection from Front of House to stage.
Midas PRO SERIES PRO X-CC-IP Live Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate
The Live Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate from the Midas PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision. The PRO X is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.
Midas PRO SERIES PRO2-CC-IP Live Digital Console Control Centre with 64 Input Channels, 8 MIDAS Microphone Preampli ers, 27 Mix Buses and 96 kHz Sample Rate
The Live Digital Console Control Centre with 64 Input Channels, 8 MIDAS Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate from Midas. The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifi ers and 27 time-aligned and phase-coherent mix buses. The PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor. Industry standard AES50 audio networking technology allows the PRO2 to dynamically assign up to 156 inputs and 164 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO2 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.