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DPA d:screet™ 4080 Miniature Cardioid Microphone

150,000.00
The d:screet™ 4080 Cardioid Lavalier captures the human voice with an unusually high degree of definition. This mic offers maximum side rejection and excellent sonic focus on the subject. It is designed for broadcast, conference and other live performances both in the studio and in the field. It is acoustically pre-equalized, offering a 4 dB presence boost, which matches the mic’s chest placement perfectly. This makes the voice more distinguishable and improves speech intelligibility. Professionals will appreciate that it is lightweight and offers excellent speech reproduction. This mic is delivered with a pre-mounted black pop filter in a holder with an integrated shock mount, fixed on a clip. An additional white pop filter is also included. Because of the flexible and practical mounting solution, the mic can easily be turned in all directions so it fits both left- and right-buttoned shirts.

DPA d:vote 4099B Clip Microphone for Bass with XLR Adapter

185,000.00
The d:vote™ 4099B for Loud SPL is the perfect mic solution for PA amplification and live recording of acoustic upright bass. It offers a sound that is considerably more natural than an internal microphone or pickup. The microphone and its mounting system are both designed and optimized for the double bass. This ensures that the best mounting and audio reinforcement is achieved when performing live. The mic clip attaches to the E- and G-string below the bridge. This ensures mic placement in the sweet spot between the bridge and fingerboard. The d:vote 4099B is designed to clip onto your double bass on the E and G strings below the bridge with the included mounting clip while having no impact on your acoustic sound. It can be used for both live sound and recording purposes. The microphone itself is a supercardioid condenser with a 5.5" adjustable gooseneck for ease in positioning. It also features a detachable cable, allowing you to attach your mic to your bass before connecting it. The 4099B terminates in a MicroDot connector, allowing compatibility with DPA's connection adapters for use with a variety of third-party wireless systems. An XLR adapter with a belt clip is included for use in a wired system with 48-volt phantom power.

Konig & Meyer 210/9 Microphone stand – black

27,500.00

Konig & Meyer 210/9 Microphone stand - black is a more compact version of the classic 210/2. The combination of the long-legged 201A/2 mic stand and the 211/1 telescopic boom arm. Like the 210/2, the 210/9 sets the standard for professional microphone boom stands.

Konig & Meyer 23850 Microphone desk arm

55,000.00
The Konig & Meyer popular, smooth-running microphone desk arm with 3/8" or 5/8" thread connector for sound studios and multimedia work stations with a new innovative table clamp. Easy to position and suitable for microphones to max. 1.763 lbs. The 196.85 " long microphone cable with a 3 pin XLR plug connector is included in the delivery. Having a clamping range of 0 to 1.889" the clamp is suitable for a wide spectrum of mounting. The stable metal construction with high quality plastic inserts guarantees secure and strong hold. The cleverly shaped clamping parts allow the clamp to be used on smooth surfaces and round-shaped tubes. The microphone arm can also be fixed with the table flange 23855 available as an optional extra.

Neumann TLM 103 Condenser Microphone Studio Set

420,000.00
The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz. Its very direct yet refined sound is perfect for vocals, and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them the number one choice in studios around the world. A unique feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.

TECHNICAL EXCELLENCE

The TLM 103 has set new standards for technical performance, too. With an incredibly low self-noise of only 7 dB-A , it is among the quietest microphones available. And its high sensitivity of 23 mV/Pa, ensures ultra low noise even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for preattenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy to use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion. As a member of Neumann’s TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original, as well as a clear, powerful bass response, even at highest signal levels.

APPLICATIONS

The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U87 e.g. for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings e.g. for cello and double bass.
  • Large diaphragm capsule derived from the classic U 87 microphone
  • Balanced sound with enhanced presence
  • Cardioid pattern
  • Transformerless circuitry with high SPL capability
  • Extremely low self-noise: only 7 dB-A

sE Electronics sE2200 Studio Condenser Cardioid Microphone

120,000.00
sE Electronics sE2200 Studio Condenser Cardioid Microphone with Isolation Pack is the latest update of the company's venerable large-diaphragm cardioid condenser mic. The sE2200 delivers the same stunning, up-front sound and full feature set that made the original version such a huge hit. This is an incredibly versatile microphone, equally at home in front of a guitar cabinet as it is over a drum kit.
The sE Electronics sE2200 condenser microphone features a fixed cardioid polar pattern which does a great job of capturing what's in front of it while rejecting bleed from adjacent sources and ambient sound from the rest of the room.

sE Electronics sE2300 Condenser Microphone

150,000.00
The sE2300 features a handcrafted true condenser capsule, three patterns, two attenuation pads, two low-cut filters, and the same class-A discrete circuitry and robust output transformer as its cardioid sibling. This preserves the clarity and “larger than life” tonality beloved by thousands of customers worldwide, while adding both omnidirectional and figure-8 polar patterns in addition to the original cardioid pattern to dramatically increase its versatility. With the same look, features and specifications of the cardioid-only sE2200, the sE2300 adds a switch on its rear side to select between figure-8, cardioid, or omnidirectional polar patterns. This adds a huge degree of versatility and allows the sE2300 to shine on almost any source - from vocals to guitars to drums to pianos, or almost anything you'd like to mic.

SE Electronics SE8 Stereo Set

185,000.00
sE Electronics sE8 is a hand-made microphone with capsule that implements a sophisitcated backplate design to provide a perfectly balanced sound so it's never harsh or aggressive. Perfect for high-hats and drum overheads, the sE8-Stereo Pair is also one of the quietest small-capsule mics on the planet - and with the highest dynamic range and SPL handling in its class, along with attenuation pads and low-cut filters for superb flexibility. The sE8 Matched Pair comes complete with a precision stereo mounting bar, two protective wind screen, two mic clips, and a robust high-quality metal flight case. SE Electronics sE8-SP Includes: 2x sE8 microphone, 2x mic clip (with thread adapters), 2x wind screens, stereo bar, and Robust metal case.

sE Electronics V Beat Dynamic Microphone

60,000.00

The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X instrument dynamic, but in a dedicated low-profile & drum-friendly form factor. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.

The V BEAT & V CLAMP: Superior isolation & effortless sonics, all with minimal footprint & maximum flexibility.

Effortlessly amazing sound for any snare or tom drum, whether on-stage or off. Its specialized capsule provides a highly detailed, extremely natural sound character on snares or toms of any size, with amazing off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector & stand mount give it the smallest footprint in its class, and its rock-solid swivel mount allows its angle to be adjusted with great precision – so it can be aimed at almost any part of the drum head to achieve whatever sound character is required.

sE Electronics V Kick Dynamic Microphone

80,000.00

For unbeatable punch & impact, with four custom voicings to cover any sonic need, the sE Electronics V Kick Dynamic Microphone is your choice.

The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need.

sE Electronics V PACK ARENA Drum Kit

375,000.00

The sE Electronics V PACKS provide effortlessly amazing sound for your entire drum kit. The V PACK consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE8 condensers for your overheads.

All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic. The sE V Series captures all the attack and tone of my drums with amazing clarity and transparency. Their ultra-compact design - paired with the ingenious addition of the V CLAMPS - makes it extremely easy to set up quickly and get going.
What's In The Box
  • 1 x V KICK Kick Drum Mic
  • 1 x V7 X Snare Microphone
  • 3 x V BEAT Tom Microphones
  • 1 x sE8 Matched Pair Overhead Mics

sE Electronics V PACK CLUB Drum Kit

300,000.00

The sE Electronics V PACKS provide effortlessly amazing sound for your entire drum kit. The V PACK consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE8 condensers for your overheads.

All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic. The sE V Series captures all the attack and tone of my drums with amazing clarity and transparency. Their ultra-compact design - paired with the ingenious addition of the V CLAMPS - makes it extremely easy to set up quickly and get going.
What's In The Box
    • 1 x V KICK Kick Drum Mic
    • 2 x V BEAT Tom Microphones
    • 1 x V7 X Snare Microphone
    • 1 x sE7 Stereo Pair Overhead Mics