NEW - Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch and Pumping
NEW - Range setting, which limits the maximum applied gain change
NEW - Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering
NEW - Mix setting, which scales the gain change from 0% to 200%
NEW - Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter
NEW - Full Screen mode, offering a large level display and side-chain EQ controller
Program-dependent attack and release curves
NEW - Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards
NEW - Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero latency processing
NEW - Retina support on OS X and High DPI support on Windows
Intelligent Auto Gain
External side chain triggering
NEW - Hold (up to 500 ms)
GPU-powered graphics acceleration
NEW - Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)
Stereo and mono plug-ins available
Auto Release
NEW - Optional MIDI triggering
Super-fast attack times
Supports common Pro Tools hardware control surfaces
NEW - Up to 4x oversampling
MIDI Learn
Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
Undo/redo and A/B comparison
NEW - Audition Triggering option, which enables users to hear on which parts of the audio Pro-C 2 is triggering and how much compression is taking place
Smart Parameter Interpolation
NEW - Multiple interface sizes: Small, Medium and Large
Sample-accurate automation of all parameters
Extensive help file with interactive help hints
Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)