{"title":"Midas mixer for House Of Worship Nigeria","description":"\u003ch2 style=\"text-align: left;\"\u003eProfessional Midas Mixers for House of Worship in Nigeria\u003c\/h2\u003e\n\u003cp style=\"text-align: left;\"\u003eMidas digital mixers are widely used in \u003cstrong\u003ehouse of worship audio systems in Nigeria\u003c\/strong\u003e due to their precision, reliability, and exceptional sound quality for live church environments.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eAt VibeToolsNG, we provide professional Midas mixing consoles designed specifically for:\u003c\/p\u003e\n\u003cul style=\"text-align: left;\"\u003e\n\u003cli\u003eChurches and ministries\u003c\/li\u003e\n\u003cli\u003eWorship centers and auditoriums\u003c\/li\u003e\n\u003cli\u003eLive band performances\u003c\/li\u003e\n\u003cli\u003eGospel concerts and events\u003c\/li\u003e\n\u003cli\u003eBroadcast and live streaming audio setups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"text-align: left;\"\u003eIf you are searching for a \u003cstrong\u003eMidas mixer for House of Worship in Nigeria\u003c\/strong\u003e, this collection features industry-standard solutions trusted by sound engineers worldwide.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: left;\"\u003eWhy Churches Use Midas Mixers\u003c\/h2\u003e\n\u003cp style=\"text-align: left;\"\u003eMidas consoles are preferred in worship environments because they deliver:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"text-align: left;\"\u003eCrystal-clear vocal mixing for sermons\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eSmooth control for worship teams and choirs\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eReliable performance for long services\u003c\/li\u003e\n\u003cli style=\"text-align: left;\"\u003eAdvanced digital routing for live sound setups\u003c\/li\u003e\n\u003c\/ul\u003e","products":[{"product_id":"midas-mr18-18-input-digital-mixer-for-ipad-android-tablets","title":"Midas MR18 - 18 Input Digital Mixer for iPad-Android Tablets","description":"\u003cdiv class=\"col-xs-12 col-sm-6\"\u003e\n\u003cbr\u003e\u003cul class=\"list-bulleted\"\u003e\n\u003cbr\u003e \u003cli class=\"mar-btm\"\u003e\n\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eMR18\u003c\/h5\u003e\n\u003cbr\u003eThe MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003cbr\u003e\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies marketing-copies--even collapse show\"\u003e\n\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eA Mixer Whose Time has Come\u003c\/h5\u003e\n\u003cbr\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input\/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning MIDAS PRO mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR18.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199305758.jpg?v=1649215842\" alt=\"16 MIDAS PRO Mic Preamps\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e16 MIDAS PRO Mic Preamps\u003c\/h5\u003e\n\u003cbr\u003eThe MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognised by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR18 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR18 comes equipped with 16 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199404062.jpg?v=1649215843\" alt=\"Built-In Tri-Mode Wifi Router\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eBuilt-In Tri-Mode Wifi Router\u003c\/h5\u003e\n\u003cbr\u003eDesigned for the ultimate in mobility, the MR18 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR18 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets.\u003cbr\u003e\u003col\u003e\n\u003cbr\u003e \u003cli\u003eAccess Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute.\u003c\/li\u003e \u003cli\u003eWifi Client allows you to add your midas mixer to the existing wireless network where the controlling apps and devices are connected.\u003c\/li\u003e \u003cli\u003eAlternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eRecording Simplified\u003c\/h5\u003e\n\u003cbr\u003eThe incredibly fast and comprehensive 18 x 18 channel, bi-directional USB interface makes the MR18 an amazingly powerful digital mixing solution for recording directly to your iPad or PC. Dial in the perfect monitoring mix with effects and zero-latency, while sending up to 16 source signals – and the keyboard player's MIDI notes to your DAW for recording and editing.\u003cbr\u003eWhether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199436830.jpg?v=1649215845\" alt=\"P0C8H-MKCP-6\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199469598.jpg?v=1649215847\" alt=\"Revolutionary Auto-Mixing\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eRevolutionary Auto-Mixing\u003c\/h5\u003e\n\u003cbr\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator.\u003cbr\u003eA major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 16 live microphones. Based on the legendary Dan Dugan automix system, the MR18’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.\u003cbr\u003eThis function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199535134.jpg?v=1649215849\" alt=\"4 Onboard M32 Effects Engines\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e4 Onboard M32 Effects Engines\u003c\/h5\u003e\n\u003cbr\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR18 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.\u003cbr\u003eYou can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR18 has a whole studio of FX under its bonnet.\u003cbr\u003eCustom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eHigh-End FX Racks at Your Finger Tips\u003c\/h5\u003e\n\u003cbr\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199666206.jpg?v=1649215850\" alt=\"P0C8H-MKCP-10\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)\u003cbr\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199928350.jpg?v=1649215852\" alt=\"P0C8H-MKCP-11\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eOur digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)\u003cbr\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199731742.jpg?v=1649215853\" alt=\"P0C8H-MKCP-12\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eOur FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199830046.jpg?v=1649215855\" alt=\"P0C8H-MKCP-13\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199797278.jpg?v=1649215857\" alt=\"P0C8H-MKCP-14\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200059422.jpg?v=1649215859\" alt=\"P0C8H-MKCP-15\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199961118.jpg?v=1649215860\" alt=\"P0C8H-MKCP-16\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847199993886.jpg?v=1649215862\" alt=\"P0C8H-MKCP-17\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200223262.jpg?v=1649215863\" alt=\"P0C8H-MKCP-18\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200354334.jpg?v=1649215865\" alt=\"P0C8H-MKCP-19\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200321566.jpg?v=1649215867\" alt=\"P0C8H-MKCP-20\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eMODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200256030.jpg?v=1649215868\" alt=\"P0C8H-MKCP-21\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200419870.jpg?v=1649215870\" alt=\"P0C8H-MKCP-22\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eEXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200485406.jpg?v=1649215871\" alt=\"P0C8H-MKCP-23\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eUnlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR18 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200550942.jpg?v=1649215873\" alt=\"P0C8H-MKCP-24\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eVINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200583710.jpg?v=1649215874\" alt=\"P0C8H-MKCP-25\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003ePLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200747550.jpg?v=1649215876\" alt=\"P0C8H-MKCP-26\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200714782.jpg?v=1649215878\" alt=\"P0C8H-MKCP-27\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)\u003cbr\u003eThe Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200780318.jpg?v=1649215880\" alt=\"P0C8H-MKCP-28\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThis handy dynamic FLANGER \u0026amp; DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200911390.jpg?v=1649215881\" alt=\"P0C8H-MKCP-29\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eWAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200944158.jpg?v=1649215883\" alt=\"P0C8H-MKCP-30\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847200976926.jpg?v=1649215884\" alt=\"P0C8H-MKCP-31\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eThe DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201075230.jpg?v=1649215886\" alt=\"P0C8H-MKCP-32\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eBased on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201107998.jpg?v=1649215887\" alt=\"P0C8H-MKCP-33\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003eTaking up only one FX slot, the CHORUS \u0026amp; CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e100-Band RTA for all Channel\/ Bus EQs\u003c\/h5\u003e\n\u003cbr\u003eThe MR18 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.\u003cbr\u003eSwitch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201173534.jpg?v=1649215889\" alt=\"P0C8H-MKCP-35\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201271838.jpg?v=1649215891\" alt=\"P0C8H-MKCP-36\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e16 Channels of Personal Monitoring\u003c\/h5\u003e\n\u003cbr\u003eThe easy way to send sound, Behringer's propriatary ULTRANET connectivity allows you to send 16 digital sources over a lightweight and easyto- deploy Cat 5e cable to P16-D Digital ULTRANET Distributors, or directly to P16-M Personal Monitor Mixers. This powerful and advanced technology makes it easy for individual performers to create their own “more me” mix – and frees you to put on your best show. ULTRANET also provides the perfect conduit for sending your mix to the new TURBOSOUND iQ Series loudspeakers, which can tap into the 16-channel digital bus directly.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201304606.jpg?v=1649215892\" alt=\"P0C8H-MKCP-38\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eUncompromised Channel Processing\u003c\/h5\u003e\n\u003cbr\u003eThe MR18 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!\u003cbr\u003eEvery input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency.\u003cbr\u003eIn addition to the Main L\/R bus for Front of House, 6 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201402910.jpg?v=1649215894\" alt=\"P0C8H-MKCP-40\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201435678.jpg?v=1649215895\" alt=\"P0C8H-MKCP-41\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eMIDI In\/Out for Live Performance Controllers\u003c\/h5\u003e\n\u003cbr\u003eThe physical MIDI I\/O port on the MR18 mixer can also be used for connecting external MIDI controllers, such as BEHRINGER's X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201501214.jpg?v=1649215897\" alt=\"P0C8H-MKCP-43\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eDedicated Apps and Software ֠All Platforms Covered\u003c\/h5\u003e\n\u003cbr\u003eSince we wanted the MR18 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC\/Linux\/Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201632286.jpg?v=1649215899\" alt=\"P0C8H-MKCP-45\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/h5\u003e\n\u003cbr\u003eIf your application requires a computer for MIDAS M AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.\u003cbr\u003eDownload the free M AIR EDIT software from midas.com.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201599518.jpg?v=1649215900\" alt=\"P0C8H-MKCP-47\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eM AIR MIX for iPad\u003c\/h5\u003e\n\u003cbr\u003eFront of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the MIDAS M AIR mixer to Access Point mode and connect your iPad to the MR18 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality.\u003cbr\u003eDownload the free M AIR MIX App for iPad from the Apple App Store.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201730590.jpg?v=1649215902\" alt=\"P0C8H-MKCP-49\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eM AIR MIX for Android\u003c\/h5\u003e\n\u003cbr\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on MIDAS M AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more – whether you are running a 12\" tablet or a 5\" smartphone.\u003cbr\u003eDownload the free M AIR CUE for Android App from the androidapps.com.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201763358.jpg?v=1649215904\" alt=\"P0C8H-MKCP-51\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003e\u003c\/h5\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\u003csection class=\"bg-gray\"\u003e\u003cbr\u003e\u003cdiv class=\"container pt-sm-2 pt-2\"\u003e\n\u003cbr\u003e\u003cdiv class=\"row align-items-center\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm-5\"\u003e\u003cimg class=\"w-100 js-lazy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/t\/13\/assets\/8847201828894.jpg?v=1649215905\" alt=\"Superb Value\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col-sm align-self-center pl-sm-4 py-1\"\u003e\n\u003cbr\u003e\u003ch5 class=\"mb-2 mt-3 mt-sm-0\"\u003eSuperb Value\u003c\/h5\u003e\n\u003cbr\u003eThe feature-packed MR18 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR18's sound quality far surpasses that of competing models, both on paper and in performance. With 18 inputs, 16 MIDAS PRO mic preamps, 6 aux buses, a built-in Wifi router, MIDI I\/O, a multi-channel bidirectional USB audio interface, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR18 is equipped to handle your most demanding audio application.\u003cbr\u003eVisit your local dealer and take a closer look at the M AIR MR18 Digital Mixer, or get yours online – today!\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"vibetoolsng","offers":[{"title":"Default Title","offer_id":42314482483367,"sku":"VTMidasMR18","price":1100000.0,"currency_code":"NGN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/products\/Midas_MR18_18_Input_Digital_Mixer_for_iPad_Android_Tablets_4.png?v=1657806089"},{"product_id":"midas-dm-16-analogue-live-and-studio-mixer","title":"Midas DM 16 Analogue Live and Studio Mixer","description":"\u003cp class=\"mg-tables_title\"\u003eMono Inputs\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e12\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003eXLR, balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMic EIN @ 60 dB gain, 50 ? source at insert send\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMic EIN @ 60 dB gain, 150 ? source at insert send\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMic Gain range\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. input level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003eTypically -90 dB\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 kO, balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003ePhantom power\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eLine Input\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eLine Gain range\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. input level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+30 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eStereo Inputs\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eGain range\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. input level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eEqualiser\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eLow\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eHigh\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eChannel Inserts\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. input \/ output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eAux Sends\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eMonitor Out\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eMain Out\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eMain Out Inserts\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. input \/ output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003ePhones Output\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e25 O\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003e2-Track Input\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e20 kO\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. input level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eRecord Out\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eType\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e1 kO\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMax. output level\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e+21 dBu\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eMain Mix System Noise\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMain mix @ -?, channel fader @ -?\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMain mix @ 0 dB, channel fader @ -?\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003ePower Supply \/ Voltage (Fuses)\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eSwitch mode power supply\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003ePower consumption\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e40 W\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eMains connection\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cp class=\"mg-tables_title\"\u003eDimensions \/ Weight\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"mg-tables\"\u003e\n\u003cbr\u003e\u003ctable class=\"mg-tables_table table table-striped mg-tables--list-disc\"\u003e\n\u003cbr\u003e\u003ctbody\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e95 x 438 x 370 mm (3.7 x 17.2 x 14.6\")\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\u003ctr\u003e\n\u003cbr\u003e\u003ctd\u003eWeight\u003c\/td\u003e\n\u003cbr\u003e\u003ctd\u003e5 kg (2.3 lbs)\u003c\/td\u003e\n\u003cbr\u003e\n\u003c\/tr\u003e\n\u003cbr\u003e\n\u003c\/tbody\u003e\n\u003cbr\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"vibetoolsng","offers":[{"title":"Default Title","offer_id":42314489266343,"sku":"VTMidas DM 16","price":510000.0,"currency_code":"NGN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/products\/Midas_DM_16_Analogue_Live_and_Studio_Mixer_0.png?v=1660044641"},{"product_id":"midas-dp48-dual-48-channel-personal-monitor-mixer","title":"Midas DP48 Dual 48 Channel Personal Monitor Mixer","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"row mt-sm-4\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"col\" data-mce-fragment=\"1\"\u003eThe Midas DP48 is a dual 48 channel personal monitor mixer that allows 2 performers to fully control their monitor mixes and hear exactly what they want and even record and playback rehearsals and performances. With a simple and intuitive interface and the ability to connect to any AES50-equipped device, the DP48 can create a complete monitoring system perfect for use in the studio or on stage.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe DP48 gives performers complete control over their monitor mix with 12 stereo groups for quickly creating and balancing mixes. All 48 channels of the DP48 can be mixed within these 12 groups and can handle any kind of monitor set up. Vocalists, for example can place the vocal channel in Group 1 while the drums, bass and guitar channels can be placed in Groups 2,3 and 4 respectively. Drummers who may be more particular can create more complex mixes with the DP48; separately mix their kick, snare and hi hat in Groups 1-3 with the two overhead mics panned left and right in Group 4.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe dual mix feature even allows two users to be connected to one DP48 each with their own separate stereo group mix. There are three dedicated controls for each of the Mix A and B outputs, providing independent adjustments for the respective Output Volume, the selected Group Level and for the assignable My Group Level. Both Main Mixes feature separate EQ, Reverb Level and Limiter settings—especially useful when both talents are using different in-ear or over-ear headphones.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch6 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h6\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"collapse show\" id=\"pfi\"\u003e\n\u003cdiv class=\"row mt-3\"\u003e\n\u003cdiv class=\"col-sm-20\"\u003e\n\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003eDual 48 channel personal monitor mixer compatible with Midas personal monitoring system hubs\u003c\/li\u003e\n\u003cli\u003e12 stereo groups enable rapid creation and balancing of personal mixes from fully configurable stem groups\u003c\/li\u003e\n\u003cli\u003eDual mix feature allows independent control of two complete monitor mixes\u003c\/li\u003e\n\u003cli\u003eIntegrated SD card interface for stereo recording and playback of rehearsal sessions and performances\u003c\/li\u003e\n\u003cli\u003eBuilt-in stereo ambience microphone provides on-stage sound feed to remove sense of isolation with in-ear monitors\u003c\/li\u003e\n\u003cli\u003eStudio-quality reverb adds spatial ambience to personal in-ear mixes, independent from main console\u003c\/li\u003e\n\u003cli\u003eRemotely powered via direct AES50 connection from Midas hubs featuring Power over Ethernet (PoE)\u003c\/li\u003e\n\u003cli\u003eSeparate DC power supply allows daisy-chaining of DP48 personal monitor mixers and use without any PoE hub\u003c\/li\u003e\n\u003cli\u003eCompatible with any 44.1\/48 kHz AES50-equipped devices including Midas and Behringer digital consoles and I\/O boxes\u003c\/li\u003e\n\u003cli\u003eAES50 return channels allow personal mixes to be sent back to the console or hub for connection to wireless IEM transmitters\u003c\/li\u003e\n\u003cli\u003eRemote operation up to 100 m via screened CAT5\/5e cable\u003c\/li\u003e\n\u003cli\u003eRemote setup and control of DP48 personal monitor mixer via Midas hubs\u003c\/li\u003e\n\u003cli\u003eFull remote control of another DP48 when both connected to the same hub or used in daisy chain configuration\u003c\/li\u003e\n\u003cli\u003eHigh-contrast 2.4″ colour TFT display screen provides clear overview of mix parameters, meters and group assignments\u003c\/li\u003e\n\u003cli\u003eAnalogue stereo auxiliary input for local click track\u003c\/li\u003e\n\u003cli\u003eHigh power headphone output for use in all stage monitoring environments\u003c\/li\u003e\n\u003cli\u003eFully adjustable limiter allows for safe monitoring levels within sound exposure limits\u003c\/li\u003e\n\u003cli\u003eMounts securely on microphone stand with DP48MB adaptor (not included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eControl and Much More\u003c\/h5\u003e\n\u003cp\u003eEach group in the DP48 features its very own 3 band EQ, compressor and reverb which can be controlled with one knob. Just press a button and adjust the parameter using the SELECT\/EDIT knob. The low, mid and high parameters increase or attenuate their respective frequencies for each group. The compressor setting controls a selected group’s compression as well as Mix A or B’s peak limiting threshold. Studio-quality Reverb can be added to a selected group or mix to add more spatial ambience to a personal monitor mix independent from the main console. The Pan button allows users to adjust the panorama of a selected group.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eSD Recorder and Presets\u003c\/h5\u003e\n\u003cp\u003eThe DP48 can also accept an SD card to be used for recording rehearsals or performances. Recorded mixes can be played back to Mix A or Mix B. Recording features a mix-minus function, deducting the respective My Group signals, for use as a backing track when practicing.\u003c\/p\u003e\n\u003cp\u003eYou can also store complete mixing presets to SD and load them back when using a different DP48 mixer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eBuilt in Mic\u003c\/h5\u003e\n\u003cp\u003eA performer wearing in-ear monitors can sometimes feel isolated. That’s why the DP48 comes with a built-in stereo ambience microphone that helps performers hear more of the room around them or communicate with each other and even hear more of their audience.\u003c\/p\u003e\n\u003cp\u003eAn automatic ducking function attenuates the microphone while the band is playing, in order to keep your mix clean.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eComplete Integration\u003c\/h5\u003e\n\u003cp\u003eEvery DP48 can be remotely powered via a direct AES50 connection to the Midas HUB4 featuring Power over Ethernet (PoE). Any 44.1\/48 kHz AES50 device including Midas and Behringer digital consoles and I\/O boxes are compatible with the DP48. AES50 return channels also allow personal mixes from the DP48 to be sent back to the console or hub for connection to wireless IEM transmitters. Even input channel labelling and colour information can be transmitted to the DP48 via AES50. When connected to a Midas hub, the DP48 can be setup and controlled remotely from the mixer.\u003c\/p\u003e\n\u003cp\u003eThe Midas M32 firmware update 4.0 supports full configuration of personal mixer channel assignments and Group names directly from the console user interface. DP48 is the first solution to fully integrate channel grouping into a digital console surface, where all the channel routing is configured.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-start\"\u003e\n\u003cdiv class=\"col-sm px-sm-2 pb-sm-0\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eRemote Control\u003c\/h5\u003e\n\u003cp\u003eIn addition to the remote configuration from compatible FOH or monitoring consoles, any DP48 mixer can also fully control one or several other DP48 mixers on stage, for concurrent changes. A stage tech can remotely assist whenever a performer needs help with his personal mix.\u003c\/p\u003e\n\u003cp\u003eRemote control can be passed on via the Midas HUB4 or when daisy-chaining DP48 mixers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"vibetoolsng","offers":[{"title":"Default Title","offer_id":42404444930215,"sku":"VTMidas DP48 Dual 48 Channel Personal Monitor Mixer","price":600000.0,"currency_code":"NGN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/products\/Midas_DP48_Dual_48_Channel_Personal_Monitor_Mixer_0.png?v=1691879523"},{"product_id":"midas-dm12-analogue-mixer","title":"Midas DM12 Analogue Mixer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility � andan unheard of level of affordability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-winning,Midas microphone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitorouts and 2-track RCA I\/O, and you have an analogue work of art � the fullyfeatured DM12!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\" data-mce-fragment=\"1\"\u003eDedicated Stereo Inputs\u003c\/h5\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLine channels 9\/10 – 11\/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMono Inputs\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eLine Input\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼” TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eStereo Inputs\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼” TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEqualiser\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eChannel Inserts\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼” TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAux Sends\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼” TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMonitor Out\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼” TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out Inserts\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼” TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhones Output\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼” TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e2-Track Input\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eRecord Out\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Mix System Noise\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower Supply \/ Voltage (Fuses)\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch6 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDimensions \/ Weight\u003c\/h6\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 328 x 370 mm (3.7 x 12.9 x 14.6″)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e3.9 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"vibetoolsng","offers":[{"title":"Default Title","offer_id":42652921168039,"sku":"VTMidas DM12 Analogue Mixer","price":450000.0,"currency_code":"NGN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/products\/MidasDM12AnalogueMixer2.png?v=1691879285"},{"product_id":"midas-mr12-12-input-digital-mixer-for-ipad-android-tablets-with-4-midas-pro-preamps-8-line-inputs-integrated-wifi-module-and-usb-stereo-recorder","title":"Midas MR12 - 12-Input Digital Mixer for iPad\/Android Tablets","description":"\u003ch5\u003e12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated WiFi Module and USB Stereo Recorder\u003c\/h5\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch6 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h6\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003e\u003ca id=\"pfiToggle\" href=\"https:\/\/www.midasconsoles.com\/product.html?modelCode=0605-AAE#_\" data-target=\"#pfi\" data-toggle=\"collapse\" class=\"js-text-toggle collapsible__indicator active\" data-show-text=\"Show more\" data-hide-text=\"Show less\" aria-expanded=\"true\"\u003eShow less\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"border-bottom mt-2 mb-sm-0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"collapse show\" id=\"pfi\"\u003e\n\u003cdiv class=\"row mt-3\"\u003e\n\u003cdiv class=\"col-sm-20\"\u003e\n\u003cul class=\"list list--bullet-midas list--circle list--brown list--col-lg-2 pl-1 pl-sm-0\"\u003e\n\u003cli\u003e\n\u003cp\u003eiPad\/Android tablet controlled 12-input digital mixer for studio and live application\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4 award-winning Midas PRO microphone preamplifiers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-In Tri-Mode WiFi router for direct operation-no need for external routers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDugan-style Auto-Mixing automatically manages microphone gain sharing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB connector for uncompressed stereo WAV recording and playback\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4 digital signal processing effects engines\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRack ears and protection bumpers included for flexible rack and onstage applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e6 aux buses and main LR with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 TRS aux outputs and 2 XLR main outputs plus phones connector\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e40 bit floating point digital signal processing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFree iOS, Android and PC\/Mac\/Linux apps available for remote operation via Ethernet, LAN or WiFi\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMIDI In\/Out allows controlling the mixer via MIDI equipment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFuture firmware updates, incl. new FX \"Plug Ins\", downloadable from midasconsoles.com free of charge\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto-ranging universal switch-mode power supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"vibetoolsng","offers":[{"title":"Default Title","offer_id":46317764346023,"sku":null,"price":560000.0,"currency_code":"NGN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/files\/Image_MI_P0C8G_MR12_Front_XL.png?v=1733072979"},{"product_id":"midas-m32c-digital-rack-mixer-for-live-performance-and-studio-recording","title":"Midas M32C Digital Rack Mixer for Live Performance and Studio Recording","description":"\u003cp\u003eThe Midas M32C is a professional-grade digital rack mixer engineered for demanding live performances and studio recording environments. Featuring 32 channels of pristine audio processing, this mixer delivers exceptional clarity and control across complex setups. Built with Midas' renowned preamp technology, the M32C captures every nuance of your audio sources with transparent sound quality. The intuitive touchscreen interface streamlines mixing workflows, allowing you to manage multiple channels and effects with precision and speed. Ideal for touring bands, live event venues, and recording studios, the M32C combines reliability with advanced digital processing capabilities. Its compact rack-mount design maximizes space efficiency without compromising functionality, making it perfect for both fixed installations and mobile rigs. Whether you're mixing a large-scale concert or tracking in the studio, the Midas M32C provides the professional tools needed to achieve broadcast-quality results.\u003c\/p\u003e\n\u003ch2 class=\"text-fg mb-6 text-lg font-semibold md:text-2xl\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"space-y-3\"\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003e40-input channel, 25-bus, 1U rack-mountable digital mixing core for live and installed sound application\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003e25 time-aligned and phase-coherent mix buses\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eAES50 networking allows up to 96 inputs and 96 outputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eOpen architecture allows for future 96 kHz operation\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eHigh-performance aluminium and high-impact steel structure\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003e40 bit floating point digital signal processing\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003e8 DCA and 6 mute groups\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003e8 digital signal processing effects engines\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003e32 x 32 channel USB 2.0 audio interface\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eBuilt-in expansion port for audio interface cards or digital networking bridges\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eMIDI In\/Out for remote scene recall or controlling other MIDI equipment\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eOptional wireless remote control with Midas Apps for iPhone and iPad\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"flex items-start gap-3\"\u003e\n\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewbox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" class=\"lucide lucide-zap text-accent mt-0.5 h-5 w-5 shrink-0\" aria-hidden=\"true\"\u003e\u003cpath d=\"M4 14a1 1 0 0 1-.78-1.63l9.9-10.2a.5.5 0 0 1 .86.46l-1.92 6.02A1 1 0 0 0 13 10h7a1 1 0 0 1 .78 1.63l-9.9 10.2a.5.5 0 0 1-.86-.46l1.92-6.02A1 1 0 0 0 11 14z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003cspan class=\"text-fg-secondary leading-relaxed\"\u003eAuto-ranging universal switch-mode power supply\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"vibetoolsng","offers":[{"title":"Default Title","offer_id":50324795326631,"sku":null,"price":2400000.0,"currency_code":"NGN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0413\/0085\/2903\/files\/M32C.png?v=1779794029"}],"url":"https:\/\/vibetoolsng.com\/collections\/midas-mixer-for-house-of-worship-nigeria.oembed","provider":"vibetoolsng","version":"1.0","type":"link"}